I suppose what emphasised the plant's attractiveness was the contrast that it formed with its surroundings. It stood out by its seemingly unusual placement. But that was completely arbitrary. No authorial hand had placed it there to delight, or draw attention: there was no motive, either conscious or subconscious. It meant nothing: it just was.
I think that this might symbolise what I am finding my greatest sticking point with my thesis on prominence readings in the Pauline epistles. Linguistic data exists, and my eye will be naturally drawn to seek out contrast. But does it mean anything? Am I projecting authorial intention? Does it mean anything? Or is it just there? I seem to be back where I was a year ago, wondering what meaning means. Time for a revisit to Sinn und Bedeutung.....
No comments:
Post a Comment